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Poe's Stories The Fall of the House of Usher Summary & Analysis

the fall of the house of usher setting analysis

He soon abandonshis former hobbies, and the narrator observes that Roderick is beginning tolose his mind. While watching his friend’s condition deteriorate, the narratorfeels himself slip into madness as well. Although itis, at first, barely visible to the narrator, it suggests a fundamental splitor fault in the twin personalities of the last surviving Ushers and foretellsthe final ruin of the house and family. Other notable symbols of death andmadness are Roderick's lyric, "The Haunted Palace"; his abstract painting,which is described as a "phantasmagoric" conception by the narrator; and the"fantastic character" of his guitar playing. Besides having a fascination for the weird and the spectral, Poe was also interested in the concept of the double, the schizophrenic, the ironic, and the reverse. He investigated this phenomenon in several stories, including "William Wilson" (a story which is analyzed in this volume), and so it is important to note that there is a special importance attached to the fact that Roderick Usher and the Lady Madeline are twins.

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However, the atmosphere and the mood of the setting are far more important than the time and place of the setting. The first of the many settings of the house, Poe describes the outside of the house as spooky. The story “The Fall of the House of Usher” belongs to the Gothic Fiction. There is a sentient house, an underground tomb, a dead body, and dark and stormy nights. In supernatural gothic, weird, and strange things, happenings can be attributed to the supernatural happening.

“The Haunted Palace”

“The Fall of the House of Usher” follows a traditional story arc withconflict, rising action, climax, falling action, and resolution. The openingscene of the narrator riding up to an old and ominous house foreshadows thedarkness to come. The main conflict that drives the story is the narrator’scoming to help Roderick recover from an illness. Action rises with Madeline'sapparent death and Roderick's descent into madness over his fears about thehouse being sentient. The raging storm, Madeline’s rising from the dead, andher subsequent collapse onto Roderick, which kills them both, acts as theclimax. Action falls when the narrator flees the house and watches it sink intothe tarn.

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Even though the narrator is the boyhood friend of Roderick, he does not know much about him – even he does not know the basic fact about him that he has a twin sister. Poe makes the readers ponder on why Roderick contacts the narrator in his state of need and the persistence of the response of the narrator. She is the twin sister of Roderick; she is suffering from mysterious illness catalepsy. When the narrator discovers that she is the twin sister of his friend, it points out the outsider’s relationship of the narrator to the house of Usher. He is a bookish and intellectual man while his sister is sick and bedridden.

“The Fall of the House of Usher” (

Healso observes an almost imperceptible crack extending in a zigzag fashion fromthe roof to the foundations. SparkNotes Plus subscription is $4.99/month or $24.99/year as selected above. TO CANCEL YOUR SUBSCRIPTION AND AVOID BEING CHARGED, YOU MUST CANCEL BEFORE THE END OF THE FREE TRIAL PERIOD. You may cancel your subscription on your Subscription and Billing page or contact Customer Support at Your subscription will continue automatically once the free trial period is over.

the fall of the house of usher setting analysis

Since thenarrator is a symbol of rationality, he also then represents Roderick’sconnection to sanity. The speaker’s final flight from the house shows theUshers’ complete departure from reality. In The Fall of the House of Usher, Poe tries to explore the nature of humanity. The story focuses on several interrelated themes, namely death, isolation and madness. This is why he is all the time looking and thinking, speaking about death, isolation, madness and violence. But there are other and more factors that build up an atmosphere of horror.

In this view, the final embrace must be seen in terms of the Lady Madeline, a vampire, falling upon her brother's throat and sucking the last drop of blood from him. Poe next sets up a sense of the "double" or the ironic reversal when he has the narrator first see the House of Usher as it is reflected in the "black and lurid tarn" (a dark and gruesome, revolting mountain lake) which surrounds it. At the end of the story, the House of Usher will literally fall into this tarn and be swallowed up by it. And even though Poe said in his critical theories that he shunned symbolism, he was not above using it if such symbolism contributed to his effect. Here, the effect is electric with mystery; he says twice that the windows of the house are "eyelike" and that the inside of the house has become a living "body" while the outside has become covered with moss and is decaying rapidly.

Accordingly, commentaries on social injustice, morality, and utilitarianism proliferated in the mid-19th century. Poe conceived of his writing as a response to the literary conventions of this period. In “The Fall of the House of Usher,” he deliberately subverts convention by rejecting the typical practices of preaching or moralizing and instead focusing on affect and unity of atmosphere. At Roderick’s words, the door bursts open, revealing Madeline all in white with blood on her robes. With a moan, she falls on her brother, and, by the time they hit the floor, both Roderick and Madeline are dead. Outside, he looks back just in time to see the house split in two and collapse.

The Usher family has become so identified with its estate that the peasantry confuses the inhabitants with their home. The setting of the novel is several dark and stormy nights and the haunted mansion. Any particular geographic location of the story or the time of occurrence is completely unknown to the readers.

The truth is that opium and laudanum (opium tincture) in the 19th were very common and many 19th century writers such as S.T. Roderick grows more erratic in his behaviour, and the narrator reads to his friend to try to soothe him. The plot of the romance (a fictional title invented by Poe himself, called ‘Mad Trist’) concerns a hero named Ethelred who enters the house of a hermit and slays a dragon. Several days later, Roderick tells the narrator that Madeline has died, and they lay her to rest in a vault. In the days that follow, the narrator starts to feel more uneasy in the house, and attributes his nervousness to the gloomy furniture in the room where he sleeps.

He also observes that even though the house appears to be decaying, its structure is fairly solid. In front of the building, there is no small crack from the roof to the ground. A week after Madeline’s death, the narrator lies awake with an unexplainedfeeling of fear. A storm rages outside, and despite efforts to reason withhimself, he shakes with terror. He paces around the room, and Roderick entersin a state of restrained hysteria.

His fears are apparent and manifest themselves through the sentient and supernatural family estate. The story deals with both mental and physical illness and its effects on people who are close to you. Summoned to the House of Usher by a “wildly importunate letter,” which “gaveevidence of nervous agitation,” the first-person narrator goes to reside for atime with the writer of this letter, Roderick Usher.

Outside the castle, a storm is raging and inside the castle, there are mysterious rooms where windows suddenly whisk open, blowing out candles; one hears creaking and moaning sounds and sees the living corpse of the Lady Madeline. This, then, is the gothic and these are its trappings; one should realize by now that these are all basic effects that can be found in any modern Alfred Hitchcock-type of horror film, any ghost movie, or in any of the many movies about Count Dracula. Here is the genesis of this type of story, created almost one hundred and fifty years ago in plain, no-nonsense America, a new nation not even sixty years old. "The Fall of the House of Usher" was first published in 1839 in Burton'sGentleman's Magazine. His own tales of terror, in which he oftendepicted the psychological disintegration of unstable or emotionallyoverwrought characters, were in sharp contrast to the works of more highlypraised writers of the time.

Because of Poe's disdain for didactic writing, hewas little regarded by the literary establishment in his day. The setting is referred to by the narrator as “House of Usher” to refer to both the physical structure of the house and the last of the Usher race; Roderick and Madeline are the last of the Usher family. Poe begins by description and continues with description to the extent that the whole story becomes a descriptive account of the mental breakdown of Roderick. Poe focuses on settings that had many descriptions and details such as the dark, gloomy, and dull places in the story. What he desires is to present a psychological analysis of the life of that strange family.

The storm intensifies, and objects in theroom glow with unnatural light from the mist that surrounds the mansion. Usher moves hischair to face the door, murmuring under his breath while the narrator reads tohim. The narrator comes to the scene in which the hero forces his way into thehome of a hermit and finds a dragon that he eventually slays with a mace. Ateach critical moment in the story, the narrator hears noises coming fromoutside the room.

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